another white-balance for the windows of interior-panos. Shooting in RAW allows you to later generate 16 bit TIFFs from these files, with precisely adjusted exposure and white balance, or even different exposure and white-balance settings to assemble the images again in a more favoring way, e.g. A good article about correct exposure with digitals is found at Check the histogram to see if clipping is a problem. Digital cameras clip the highlights but not the shadows. In a sunlit landscape these are usually the clouds but could as well be a white building. To get maximum dynamic range with a digital camera expose for the brightest highlight you want to have details in. Photographing the panorama Using a digital camera This is not needed if you use enblend for blending the images. If you want to edit the layered stitching result you will need Adobe Photoshop CS or above. After the control point generation, replace the JPEG with its 16 bit variant. You can use that JPEG file to use with autopano. Nikon D70) save a JPEG file together with the RAW file. IrfanView) since autopano currently has a bug that causes an error message for some types of 16 bit TIFFs. ![]() ![]() ![]() If you want to use autopano you might need a tool to batch convert images to 8 bit (f.e. See RAW dynamic range extraction on how to extract the full dynamic range from a RAW file into a single 16 bit per channel document.Ī recent version of the pano12 library supports 16 bit as well as the usual GUI front-ends. To use 16 bit workflow you need a camera capable of saving RAW files or a scanner plus application that allows to save 16 bit. It assumes you are familiar with shooting, stitching, blending 8 bit images and with basic and advanced editing techniques in photoshop like using image layers, adjustment layers and masks. This tutorial is for the advanced user only.
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